Based on the book, there are several
definitions provided regarding persuasion. In the case of the ancient Greeks,
they called it rhetoric, which is defined as the faculty of observing in a
given case the available means of persuasion. In regards to Aristotle,
persuasion does consist of artistic and inartistic proofs. Aristotle claims
that persuasion fails or succeed based on three types of artistic proofs
including logos, pathos, and ethos. Kenneth Burke, the literary critic, and
language theorists defined persuasion as being the artful use of resources of
ambiguity that is revealed in an artistic format. From the different
definitions provided by other people, persuasion is considered as the process
of dramatic co-creation by the receivers and sources of a state of
identification through the use of visual and verbal symbols. Based on this
definition, persuasion does require the emotional and intellectual
participation between the persuader and the audience which leads to shared
meaning.
According to Larson, there are three
criteria for responsible persuasion. The first is that both sides should have
an equal opportunity of persuading and have the equivalent ability and access
to the communication media. The second is that there should be the revelation
of agendas. The third criterion is that there should be the presence of
critical receivers and they test the evidence and assertion presented to them.
They also look for information from all the side and will withhold the final
judgment until when they have sufficient data (24).
The Rank’s model of persuasion is an
analytical tool called the intensify/downplay model with the aim of helping one
to become analytical and critical receives. The model tends to break the main
categories to subparts where intensify include repetition, association, and
composition. Downplay does include
omission, confusion, and diversion. In the intensify tactic, the persuader
tends to intensify their strong points, and the persuader will intensify the
weak points of the opposition. For the downplay tactics, the persuader
downplays their weak points, and the persuader downplays the strong points of
the opposition (31).
The responsibilities for persuasion
include the element of fulfilling the duties and obligations, being accountable
to other groups and individuals, and being accountable to the agreed-upon
standards and one’s conscience. An important element of responsible
communication for the receiver and the sender is exercising a thoughtful and
deliberate judgment (44).
The simplest model of communication is
the SMCR model, and the elements include source, message, channel, and
receiver. The model tends to be a visual representation of options that a
person who wishes to convey information may use. The source is the encoder of
the message, the message is meant to convey the meaning of the source through
codes, the channel tends to carry the message, and the receiver is who decodes
the message.
When making an ethical determination,
there are six perspectives involved, which include the perspective of human
nature, political perspective, religious perspective, legal perspectives,
dialogical perspectives, and situational perspectives. The political
perspectives do concern the explicit values and the accepted procedures as
essential for the development and the health of the political and governmental
systems (50). The religious perspective is based on the religious aspect that
may be used in assessing the ethical of persuasion. The ethical judgment done
through situational perspective is individually made based on each different
context and the specific persuasive situation (51). The legal perspective
involves the perception that an illegal human behavior is also immoral. The
perspective of human nature normally identifies the unique characteristics of
the human nature that might be employed as the standard for judging the ethical
persuasion. The dialogical perspective normally defines the communication as
dialogue claiming that the position of each participant in communication to
others is its ethical level index.
Ethos, logos, and pathos are three
artistic proofs that determine the success or failure of persuasion. Ethos
refers to the credibility of the subject, logos do relate to the intellect or
how to get the audience to be persuaded, and pathos tends to play to emotions
of the audience (78). In Plato’s dialogic approach, Plato did believe that as
humans, we tend not to see the absolute truth directly, but the indirect
glimpses, images, and shadows of the truth. Based on Scott’s epistemic
approach, it purports that although truth may be stable sometimes, it cannot be
static in the ever-changing 24/7 multicultural world (80). Scott’s perspective
does show why simply learning some tactics of persuasion is not enough for the
students of communication.
According to Fisher’s narrative
approach, humans tend to identify with values presented in a story, and they
may understand an idea better when presented in the form of a narrative. Based
on the approach, humans are easily persuaded by a story that they can relate to
and find similar values. The narrative approach holds that persuasive
communication should be argumentative in form and must be evaluated by
standards of formal logic (83).
The Elaboration Likelihood model does
deal with information processing, and it argues that we tend to use one or two
channels in processing information. The channels include the peripheral
processing route and the central processing route (97). The
Heuristic-Systematic Model tends to suggest that attitudes may change in two
different ways. One way is through the systematic processing where people think
carefully about the available information, and the other is the heuristic route
that involves the use of shortcuts (99). The attitude is then based on
conclusions from the careful consideration of facts. The variable analytic
approach does suggest that certain variables decrease or increase the
likelihood of persuasion. Most of the variables have the established history of
the impact over the past 50 years, and the most prominent ones are source
effects and message effects (108).
The cognitive consistency theories tend
to suggest that people normally perceive the environment in ways that are
coherent and simple. The major cognitive consistency theories include balance
theory, cognitive dissonance theory, congruence theory, affective-cognitive
consistency model, and the strain toward symmetry.
According to Burke, he defined the
function of language as being the symbolic means of inducing cooperation in
beings that through nature responds to the symbols (128). Hoffer identifies
that there are several unifying devices. The devices include hatred, persuasion
and coercion, leadership, action, and suspicion. Imitation is about the
adoption of the chanting, uniforms, and salutes that have been designed so as
to convey acceptance. Hatred is most accessible and comprehensive of all the
unifying agents, the presence of a strong leader is essential in unification,
the action involves some symbolic behavior, and suspicion is about people with
fantasies that other people are trying to cause harm to them thus turn
ideological campaigns for protection and support.
Reference
Larson,
U. (2013). Persuasion: Reception &
Responsibility. Belmont, CA: Thompson Higher Education
Sherry Roberts is the author of this paper. A senior editor at MeldaResearch.Com in custom nursing papers if you need a similar paper you can place your order from custom nursing essay.
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